London Symphony Orchestra
In autumn 2025, the London Symphony Orchestra will come to Germany for its major season tour. Sir Antonio Pappano, principal conductor, and Seong-Jin Cho, soloist on the piano, will join them.
Soloist |
Seong-Jin Cho |
Piano |
Seong-Jin Cho has established himself worldwide as one of the leading pianists of his generation and most distinctive artists on the current music scene. With an innate musicality and consummate artistry, his thoughtful and poetic, virtuosic, and colourful playing can combine panache with purity and is driven by an impressive natural sense of balance. He is celebrated unanimously across the globe for his expressive magic and illuminative insights.
Seong-Jin Cho was brought to the world’s attention in 2015 when he won First Prize at the Chopin International Competition in Warsaw, and his career has rapidly ascended since. In early 2016, he signed an exclusive contract with Deutsche Grammophon and, in 2023, Cho was awarded the prestigious Samsung Ho-Am Prize in the Arts in recognition of his exceptional contributions to the world of classical music. An artist high in demand, Cho works with the world's most prestigious orchestras including Berliner Philharmoniker, Wiener Philharmoniker, London Symphony Orchestra, Concertgebouworkest, and Boston Symphony Orchestra. Conductors he regularly collaborates with include Myung-Whun Chung, Gustavo Dudamel, Andris Nelsons, Yannick Nézet-Séguin, Gianandrea Noseda, Sir Antonio Pappano, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen, and Lahav Shani.
In the 2024/25 season Seong-Jin Cho takes up the mantle of Artist in Residence with the Berliner Philharmoniker, a position which sees Cho work with the orchestra on multiple projects across the season including concerto performances, chamber music collaborations, on tour to the Osterfestspiele Baden-Baden, and in recital. Elsewhere, he notably returns to London’s BBC Proms, to the Philadelphia Orchestra to open their season with Yannick Nézet-Séguin, to New York Philharmonic and Chicago Symphony Orchestra with Santtu-Matias Rouvali, and to The Cleveland Orchestra under Franz Welser-Möst. Cho embarks on several international tours, including his notable return to Wiener Philharmoniker with Andris Nelsons in Korea and to Symphonieorchester des Bayerischen Rundfunks with Sir Simon Rattle in Korea, Japan, and Taiwan, following a performance of Brahms Piano Concerto. No. 2 in Munich.
Highly sought after in recital, Seong-Jin Cho appears in the world’s most prestigious concert halls including the main stage of the Concertgebouw Amsterdam, Musikverein Wien, Alte Oper Frankfurt, KKL Luzern, Sala Santa Cecilia, Théâtre des Champs-Elysées, Rudolfinum, Suntory Hall Tokyo, Festival International de Piano de la Roque d'Anthéron, and Verbier Festival. During the coming season he will present the complete solo piano music of Maurice Ravel at venues including the Wiener Konzerthaus, Elbphilharmonie Hamburg, Barbican Centre London, Celebrity Series at Boston Symphony Hall, Walt Disney Hall Los Angeles, and Carnegie Hall.
Seong-Jin Cho's latest recording is his solo album entitled ‘The Handel Project’, released in early 2023. In 2021, he released Chopin’s Piano Concerto No. 2 and Scherzi with the London Symphony Orchestra and Gianandrea Noseda for Deutsche Grammophon. He had previously recorded his first album with the same orchestra and conductor featuring Chopin’s Piano Concerto No. 1 as well as the Four Ballades. His solo album titled ‘The Wanderer’ was released in 2020 and features Schubert’s ‘Wanderer Fantasy’, Berg’s Piano Sonata op. 1, and Liszt’s Piano Sonata in B minor. A solo Debussy recital was also released in 2017, followed by a Mozart album with the Chamber Orchestra of Europe and Yannick Nézet-Séguin in 2018. All albums have been released on the Yellow Label and have garnered impressive critical acclaim worldwide.
Born in 1994 in Seoul, Seong-Jin Cho started learning the piano at the age of six and gave his first public recital aged 11. In 2009, he became the youngest-ever winner of Japan’s Hamamatsu International Piano Competition. In 2011, he won Third Prize at the International Tchaikovsky Competition in Moscow at the age of 17. From 2012-2015 he studied with Michel Béroff at the Conservatoire National Supérieur de Musique et de Danse de Paris. Seong-Jin Cho is now based in Berlin.
SEASON 2024/2025
London Symphony Orchestra
In autumn 2025, the London Symphony Orchestra will come to Germany for its major season tour. Sir Antonio Pappano, principal conductor, and Seong-Jin Cho, soloist on the piano, will join them.
Deutschland, Österreich, Schweiz:
Sophia Herz-Grevesmühl
+49 30 5213702-28
sophia.herz-grevesmuehl@kdschmid.deYou need high-resolution images and biographies? Please use this short form. We will send you a download link soon.
24.10.2024
Andris Nelsons and the Wiener Philharmoniker Embark on Asian Tour with Seong-Jin Cho
Read more14.08.2024
Seong-Jin Cho: Summer Concerts at the Festival International de Piano and Edinburgh International Festival
Read more21.07.2024
Seong-Jin Cho with the Chamber Orchestra of Europe at the Festspielhaus Baden-Baden
Read more25.04.2024
BBC Proms 2024 mit Seong-Jin Cho, Stefan Dohr, Tianyi Lu, John Storgårds & Kazuki Yamada
Read more„“Cho mastered the first movement [Tchaikovsky] with youthful vigour and tamed energy, without superficial virtuosity and grand gestures, but with astonishing technique and accuracy.”“
„[…] an absolute master of clarifying textures with multiple shades of colour and touch; an expert juggler too, able to respect baroque sprightliness while also using a modern piano’s resources to warm and expand the music’s aura.“
„Cho revelled in the charm and endless variety of textures and dancelike rhythms, rising to the occasion at every turn, an inspired performance of a work that demands nothing less.“
„The young soloist’s own superb technique—and restrain—was on display.“
„The South Korean pianist Seong-Jin Cho […] proved a soloist of real poise and refinement […], never lapsing into sentimentality, even when the gracious slow movement felt like the autumn-tinged elegy that the occasion required.“