State Academic Symphony Orchestra of Russia "Evgeny Svetlanov"
State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" © Alexander von Bush, Vladislav MukhinOn Tour 03.06.19-09.06.19

  • Vladimir Jurowski,
  • Alina Ibragimova,
  • Jan Lisiecki

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Programme

Dmitrij Schostakowitsch: Konzert für Violine und Orchester Nr. 1 a-Moll op. 99 (op. 77)
Peter I. Tschaikowsky: Symphonie Nr. 5 e-Moll op. 64
OR
Sergej Rachmaninoff: Symphonische Tänze op. 45 (1940)

Orchestra

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov"

On 5 October 2016 the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov", one of the country’s oldest symphonic ensembles, celebrated its 80th anniversary. The State Orchestra debut performance took place eight decades ago, on 5 October 1936, at...

On 5 October 2016 the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov", one of the country’s oldest symphonic ensembles, celebrated its 80th anniversary. The State Orchestra debut performance took place eight decades ago, on 5 October 1936, at the Great Hall of the Moscow Conservatory.

During the years, the orchestra has been led by outstanding musicians such as Alexander Gauk (1936-1941), Natan Rakhlin (1941-1945), Konstantin Ivanov (1945-1965), and Evgeny Svetlanov (1965-2000). On 27 October 2005 the State Academic Symphony Orchestra was officialy named after E.F. Svetlanov. From 2000 to 2002 the orchestra was headed by Vasily Sinaisky, and from 2002 to 2011 by Mark Gorenstein.


On 24 October 2011 Vladimir Jurowski, a world-renowned conductor collaborating with many leading opera companies and orchestras, was appointed as the Artistic Director of the State Orchestra. Starting with season 2016/2017 Vasily Petrenko is the Principal Guest Conductor of the orchestra.

The orchestra has performed at the most prestigious venues, such as the Great Hall of the Moscow Conservatory, Tchaikovsky Concert Hall, and the State Kremlin Palace (Moscow), Carnegie Hall and Avery Fisher Hall (New York), the Kennedy Center (Washington, DC), Musikverein (Vienna), the Royal Albert Hall (London), Salle Pleyel (Paris), Teatro Colon (Buenos Aires), and Suntory Hall (Tokyo). In 2013 the orchestra had a performance at the Moscow Red Square for the first time.

The orchestra was conducted by H.Abendroth, E.Ansermet, L.Blech, N.Golovanov, A.Jansons, O.Klemperer, K.Kondrashin, L.Maazel, N.Malko, I.Markevitch, E.Mravinsky, C.Munch, M.Rostropovich, K.Sanderling, S.Sondeckis, I.Stravinsky, A.Boreiko, C.Dutoit, V.Gergiev, M.Jurowski, A.Lazarev, I.Marin, K.Masur, T. Mikkelsen, V.Petrenko, G.Rinkevicius, G.Rozhdestvensky, A.Sladkovsky, L.Slatkin, Y.Temirkanov, A.Vedernikov, and other great musicians.

Among the outstanding soloists who have performed with the orchestra are singers I.Arkhipova, S.Lemeshev, E.Obraztsova, G.Vishnevskaya, M.Caballe, P.Domingo, M.Guleghina, D.Hvorostovsky, and J.Kaufmann; pianists V.Cliburn, E.Gilels, H.Neuhaus, N.Petrov, S.Richter, M.Yudina, V.Afanassiev, B.Berezovsky, E.Kissin, N.Lugansky, D.Matsuev, and G.Sokolov; violinists L.Kogan, Y.Menuhin, D.Oistrakh, V.Pikayzen, V.Repin, V.Spivakov, V.Tretyakov, and M.Vengerov; violist Y.Bashmet; cellists M.Rostropovich, N.Gutman, A.Kniazev, and A.Rudin. Recently, this roster was expanded to add singers W.Meier, A.Netrebko, H.Gerzmava, A.Pendatchanska, I.Abdrazakov, D.Korchak, and V.Ladiuk, R.Pape; pianists M.Uchida and R.Buchbinder; violinists L.Kavakos, P.Kopachinskaja, J.Fischer, D.Hope, and N.Znaider. A lot of attention is also devoted to collaboration with young musicians such as conductors S.Kochanovsky, A.Poga, M.Stravinsky, and P.Chizhevsky; pianists L.Debargue, P.Kopachevsky, J.Lisiecki, D.Masleev, and A.Romanovsky; violinists A.Bayeva, A.Pritchin, V.Sokolov, and P.Milyukov; and cellist A.Ramm to name a few.
 
Ever since its first tour abroad in 1956 the orchestra regularly represents Russian culture in Australia, Austria, Belgium, Canada, China, the Czech Republic, Denmark, France, Germany, Hong Kong, Italy, Japan, Lebanon, Mexico, New Zealand, Poland, South Korea, Switzerland, Thailand, Turkey, the US, and many other countries.

The orchestra’s discography includes hundreds of vinyl records and CDs released by leading Russian and foreign labels such as Melodiya, Bomba-Piter, EMI Classics, BMG, Deutsche Grammophon, Naxos, Chandos, Musikproduktion Dabringhaus und Grimm, Toccata Classics, Fancymusic, and others. The special place in this list belongs to the Anthology of the Russian Symphonic Music encompassing audio recordings of Russian composers from M.Glinka to I.Stravinsky, a Svetlanov’s project, to which he dedicated many years. Mezzo, Rossiya 1, and Kultura television companies, digital channel Medici.tv as well as Radio “Orpheus” also made recordings of a number of the ensemble’s concerts.

Lately the orchestra has performed at the Grafenegg Festival (Austria), Kissinger Sommer in Bad Kissingen (Germany), The Arts’ Square in Saint Petersburg, the VI Mstislav Rostropovich Festival in Moscow, the III Symphonic Forum of Russia in Yekaterinburg, Platonov art festival in Voronezh. The orchestra performed world premieres of works by A.Vustin, S.Slonimskiy, A.Bagatov, A.Semyonov, J.Sherling, and Russian premieres of works by L. v. Beethoven – G.Mahler, V.Silvestrov, R.Schedrin, J.Taverner, A.Skryabin – A.Nemtin, C.Orff, G.Gladkov, V.Tarnopolskiy, G.A.Bontempi. Moreover, the ensemble took part in the XV International Tchaikovsky Competition and the I International competition for young pianists Grand Piano Competition. To close the season 2015/2016 the orchestra carried out the fourth annual educational concert cycle “Vladimir Jurowski conducts and narrates”. 

Starting in January 2016, the orchestra has been working on a special project, which is aimed on supporting professional composing, that involves close collaboration with modern Russian authors. Aleksander Vustin is the first composer in residence of the orchestra.

The orchestra was granted the honorary title “academic” for the exceptional creative achievements in 1972 and received the Order of the Red Banner of Labour in 1986. In 2006 and 2011 the ensemble was rewarded with Presidential commendations.

SAISON 2016/2017

More about the Orchestra

Conductor

© Sheila Rock

Vladimir Jurowski

One of today’s most sought-after conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment, Vladimir Jurowski was born in Moscow in 1972, and completed the first part of his musical studies at the Music College of the...

One of today’s most sought-after conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment, Vladimir Jurowski was born in Moscow in 1972, and completed the first part of his musical studies at the Music College of the Moscow Conservatory. In 1990 he relocated with his family to Germany, continuing his studies at the Musikhochschule of Dresden and Berlin, studying conducting with Rolf Reuter and vocal coaching with Semion Skigin. In 1995 he made his international debut at the Wexford Festival conducting Rimsky-Korsakov’s May Night, and the same year saw his debut at the Royal Opera House Covent Garden with Nabucco.

 


 

In October 2015, Vladimir Jurowski was announced as the next Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin, a position he will take up from the 17/18 season. He was appointed Principal Guest Conductor of the London Philharmonic Orchestra in 2003, becoming the orchestra’s Principal Conductor in September 2007. He also holds the titles of Principal Artist of the Orchestra of the Age of Enlightenment, Artistic Director of the Russian State Academic Symphony Orchestra, and Artistic Director of the George Enescu International Festival, Bucharest. He has previously held the positions of First Kapellmeister of the Komische Oper Berlin (1997-2000), Principal Guest Conductor of the Teatro Comunale di Bologna (2000-2003), Principal Guest Conductor of the Russian National Orchestra (2005-2009) and Music Director of Glyndebourne Festival Opera (2001-2013).

 

Vladimir Jurowski enjoys close relationships with the world’s most distinguished artistic institutions. He works annually with the Chamber Orchestra of Europe, and appears regularly with the London Philharmonic at festivals including the BBC Proms, the George Enescu Festival of Bucharest, Musikfest Berlin, and the Schleswig Holstein and Rostropovich Festivals. He collaborates with many of the world’s leading orchestras including the Royal Concertgebouw Orchestra, the Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Cleveland and Philadelphia Orchestras, New York Philharmonic, Chicago and Boston Symphonies, and has also conducted the Berlin and Vienna Philharmonic Orchestras. Recent highlights include performances of BorisGodunov, uniting the Orchestra of the Age of Enlightenment with the orchestra of the Mikhailovsky Theatre in St Petersburg, his debut at the Salzburg Easter Festival at the helm of the Staatskapelle Dresden, appearances with the Mahler Chamber Orchestra at the Lucerne Festival and a unique project with the London Sinfonietta in Moscow to celebrate the Anglo-Russian Year of Cultural Exchange. With the State Academic Symphony of Russia he has developed a highly individual and celebrated profile in Moscow with a strong focus on contemporary repertoire, and curated projects, most recently a series of performances exploring treatments of Shakespeare in Soviet music, theatre and cinema.

 

Highlights of the 2016/17 season and beyond include his return visits to the New York Philharmonic, Chamber Orchestra of Europe, Staatskapelle Dresden, Royal Concertgebouw Orchestra and Accademia Nazionale di Santa Cecilia, and a performance of Prokofiev’s Semyon Kotko with the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw. He will lead the London Philharmonic in repertoire including Das Rheingold, Fidelio, Mahler’s Eighth Symphony and Penderecki’s St Luke’s Passion, and bring the orchestra to major cities including Vienna, Budapest and New York’s Lincoln Center.

 

A committed operatic conductor, Jurowski made his debut at the Metropolitan Opera New York in 1999 with Rigoletto, and has since returned for Jenufa, The Queen of Spades, Hansel und Gretel and Die Frau ohne Schatten. He has conducted Parsifal and Wozzeck at the Welsh National Opera, War and Peace at the Opera National de Paris, Eugene Onegin at Teatro alla Scala Milan, Ruslan and Ludmilaat the Bolshoi Theatre, Salome with the State Academic Symphony of Russia, and Iolanta and Der Teufel von Loudonat the Semperoper Dresden, as well as Die Zauberflöte, La Cenerentola, Otello, Macbeth, Falstaff, Tristan und Isolde, Die Meistersinger von Nurnberg, Don Giovanni, The Rake’s Progress, The Cunning Little Vixen, Ariadne auf Naxos and Peter Eötvös’ Love and Other Demons at Glyndebourne Opera. In 2015 he returned to the Komische Oper Berlin for a universally-acclaimed new production of Moses und Aron, and made his debut at the Bayerische Staatsoper in Munich with Prokofiev’s The Fiery Angel. Future highlights include his Salzburg Festival debut with Wozzeck, and his first return to Glyndebourne as a guest conductor, to lead the world premiere production of Brett Dean’s Hamlet.

 

Jurowski’s discography with the London Philharmonic Orchestra includes the complete symphonies of Brahms, Mahler’s First and Second Symphonies, Tchaikovsky’s Symphonies 1, 4, 5, 6 and Manfred, and works by Turnage, Holst, Britten, Vaughan Williams, Shostakovich, Honegger, Haydn, Zemlinsky and Rachmaninov. He has also recorded Schnittke’s Third Symphony with the Rundfunk Sinfonieorchester Berlin, and a series of Russian works with the Russian National Orchestra for PentaTone Records, works by Mendelssohn and Mahler with the Orchestra of the Age of Enlightenment, and wide-ranging repertoire from Meyerbeer to Kancheli. His tenure as Music Director at Glyndebourne has been documented in numerous CD and DVD releases including award-winning productions of Tristan und Isolde, Die Meistersinger von Nurnberg, Ariadne auf Naxos, Falstaff, La Cenerentola, Rachmaninov’s The Miserly Knight and Prokofiev’s Betrothal in a Monastery. Other DVD releases include Hansel und Gretel from the Metropolitan Opera New York, his first concert as London Philharmonic Orchestra’s principal conductor featuring works by Wagner, Berg and Mahler, and DVDs with the Orchestra of the Age of Enlightenment (Beethoven symphonies 4 and 7) and the Chamber Orchestra of Europe (Strauss and Ravel), all released by Medici Arts.

 

SEASON 2017/2018

Artist's Website

soloist

© Sussie Ahlburg

Alina Ibragimova, Violin

Performing music from baroque to new commissions on both modern and period instruments, Alina Ibragimova has established a reputation as one of the most accomplished and intriguing violinists of the younger generation. This was illustrated in her...

Performing music from baroque to new commissions on both modern and period instruments, Alina Ibragimova has established a reputation as one of the most accomplished and intriguing violinists of the younger generation. This was illustrated in her prominent  presence at the 2015 BBC Proms, which included a concerto with a symphony orchestra, a concerto with a baroque ensemble and two Royal Albert Hall late-night recitals featuring the complete Bach partitas and sonatas, which commanded capacity audiences, and for which The Guardian commented “The immediacy and honesty of Ibragimova’s playing has the curious ability to collapse any sense of distance between performer and listener”.

 


 

Highlights among recent and upcoming concerto engagements include debuts with the Boston Symphony, Montreal Symphony, Konzerthaus Berlin, Deutsches Symphonie-Orchester Berlin, Wiener Symphoniker, Camerata Salzburg, Royal Stockholm Philharmonic, Hungarian National Philharmonic, Scottish Chamber Orchestra and the Tokyo Symphony, returns with the London Symphony, BBC Symphony and Chamber Orchestra of Europe, residencies with the Strasbourg Philharmonic and at the Casa della Musica in Porto, as well as extensive touring in Australia (Sydney, Melbourne, Adelaide and Tasmania symphony orchestras).

 

As a recitalist, Alina has appeared at venues including the Wigmore Hall, Concertgebouw Amsterdam, Salzburg Mozarteum, Vienna’s Musikverein, Park Avenue Armory in New York, Carnegie Hall, Palais des Beaux Arts Brussels, Theatre des Champs-Elysees, Vancouver Recital Series, San Francisco Performances, and at festivals including Salzburg, Verbier, Gstaad, MDR Musiksommer, Manchester International, Lockenhaus, Lucerne, Mostly Mozart New York and Aldeburgh.

 

Her long-standing duo partnership with pianist Cédric Tiberghien has featured highly successful complete cycles of both the Beethoven violin sonatas and the Mozart sonatas for violin and keyboard at  Wigmore Hall. Future plans for the duo also include extensive touring in Japan and North America.

 

Over the years, Alina has appeared with orchestras including the London Symphony Orchestra, Cleveland Orchestra, Philadelphia Orchestra, Bamberger Symphoniker, Deutsche Kammerphilharmonie Bremen, WDR Sinfonieorchester Köln, Stuttgart Radio Symphony, Orquestre Philharmonique de Radio-France, Seattle Symphony, Mariinsky Theatre Orchestra, Philharmonia, Orchestra of the Age of Enlightenment, and all the BBC orchestras. Conductors with whom Alina has worked include Bernard Haitink, Sir John Eliot Gardiner, Valery Gergiev, Paavo Järvi, Yannick Nézet-Séguin, Vladimir Jurowski, Rafael Frühbeck de Burgos, Sir Charles Mackerras, Sir Mark Elder, Philippe Herreweghe, Osmo Vänskä, Hannu Lintu, Sakari Oramo, Ilan Volkov, Tugan Sokhiev, Jakub Hrusa, Ludovic Morlot, Edward Gardner and Gianandrea Noseda.

As soloist/director Alina has toured with the Kremerata Baltica, Britten Sinfonia, Academy of Ancient Music and the Australian Chamber Orchestra.

 

Born in Russia in 1985 Alina studied at the Moscow Gnesin School before moving with her family to the UK in 1995 where she studied at the Yehudi Menuhin School and Royal College of Music. She was also a member of the Kronberg Academy Masters programme. Alina's teachers have included Natasha Boyarsky, Gordan Nikolitch and Christian Tetzlaff.

 

Alina has been the recipient of awards including the Royal Philharmonic Society Young Artist Award 2010, the Borletti-Buitoni Trust Award 2008, the Classical BRIT Young Performer of the Year Award 2009 and was a member of the BBC New Generation Artists Scheme 2005-7. She was made an MBE in the 2016 New Year Honours List. Alina records for Hyperion Records and performs on a c.1775 Anselmo Bellosio violin kindly provided by Georg von Opel.

 

SEASON 2016/2017

 

Artist's Website

Soloist

© Mathias Bothor / DG

Jan Lisiecki, Piano

Just 22, Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. The New York Times has called him “a pianist who makes every note count”. Lisiecki’s insightful interpretations,...

Just 22, Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. The New York Times has called him “a pianist who makes every note count”. Lisiecki’s insightful interpretations, refined technique, and natural affinity for art give him a musical voice that belies his age.

 


 

Jan Lisiecki was born to Polish parents in Canada in 1995. He began piano lessons at the age of five and made his concerto debut four years later, while always rebuffing the label of "child prodigy”. His approach to music is a refreshing combination of dedication, skill, enthusiasm and a realistic perspective on the career of a musician. "I might be lucky to have talent, but it is also about dedication and hard work,” says Jan.

 

Lisiecki was brought to international attention in 2010, after the Fryderyk Chopin Institute issued a recording of Chopin’s piano concertos, performed live by Jan at age 13 and 14. BBC Music Magazine wrote of the “mature musicality” of his playing and commended the “sensitively distilled” insights of his Chopin interpretations; the release was awarded the prestigious Diapason Découverte. Confirming his status among the most imaginative and poetic pianists of his generation, Deutsche Grammophon signed an exclusive contract with Jan in 2011, when he was just 15 years old.

Lisiecki’s first recording for DG, released in 2012, features Mozart’s Piano Concertos K. 466 and 467. It was followed in 2013 by Chopin’s Etudes Op. 10 and 25, praised by Gramophone magazine for being “played as pure music, given as naturally as breathing”. His third album was released in January 2016 and features Schumann’s works for piano and orchestra, and as ClassicFM wrote, “he may be young but Jan Lisiecki plays Schumann like a legend”. In early 2017, Jan Lisiecki’s rendition of Chopin’s seldom performed works for piano and orchestra with NDR Elbphilharmonie Orchester and Krzysztof Urbański was published by Deutsche Grammophon.

 

Jan says his aim is to always perform in a way that carries forward the beauty and brilliance of the original work. He has demonstrated that he is capable of rendering compositions remarkably close to the way they were intended. “Going into a concert hall should be like going into a sanctuary. You’re there to have a moment of reflection, hopefully leaving feeling different, refreshed and inspired.”

 

In March 2013, Lisiecki substituted at short notice for Martha Argerich, performing Beethoven’s Piano Concerto No. 4 in Bologna with the Orchestra Mozart under Claudio Abbado. He crowned that season with a sensational account of Schumann’s Piano Concerto at the BBC Proms. The following year he performed three Mozart concertos in one week with the Philadelphia Orchestra, making his debuts as concerto soloist with the Orchestra Filarmonica della Scala in Milan, Tonhalle Orchestra Zurich, NHK Symphony Orchestra in Tokyo, and with the Deutsches Symphonie-Orchester Berlin. The same season, Jan gave debut recitals at Wigmore Hall, Rome’s Accademia Nazionale di Santa Cecilia, and in San Francisco.

The pianist’s development has taken place in company with many of the world’s leading orchestras, including the Orchestre de Paris, New York Philharmonic, and BBC Symphony, at venues such as Suntory Hall, the Kennedy, Lincoln, and Barbican Centres, and Royal Albert Hall. Jan has cultivated relationships with prominent conductors including Sir Antonio Pappano, Yannick Nézet-Séguin, Daniel Harding, and Pinchas Zukerman.

 

The remarkable 22-year-old musician made his debut in the main auditorium at New York’s Carnegie Hall in January 2016 with Philadelphia Orchestra. In its rave review, the New York Times noted that it was an “uncommonly sensitive performance”. Other significant dates in his 2015/16 schedule were performances with the Bamberger Symphoniker in Lucerne, subscription series debuts with the Cleveland Orchestra and San Francisco Symphony Orchestra, and multiple tours, including one of Europe with the Zurich Chamber Orchestra, which Jan lead from the piano.

In the 2016-17 season, Jan will perform extensively across the world. Highlights include a tour with the London Philharmonic Orchestra and Vladimir Jurowski and performing in the opening festival of the new Elbphilharmonie in Hamburg.

 

Foremost radio and television networks in Europe and North America have extensively broadcast Lisiecki’s performances, he was also the subject of the CBC National News documentary The Reluctant Prodigy. In 2013 he received the Leonard Bernstein Award at the Schleswig-Holstein Music Festival and was also named as Gramophone magazine’s Young Artist of the Year.

 

Jan is involved in charity work, donating his time and performance to such organizations as the David Foster Foundation, the Polish Humanitarian Organization and the Wish Upon a Star Foundation. In 2012 he was named UNICEF Ambassador to Canada having been a National Youth Representative since 2008.

 

“Jan Lisiecki. Remember the name.” - The Financial Times.

 

SEASON 2016/2017

 

Artist's Website

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