- Jaap van Zweden,
- Daniil Trifonov
For his first European tour as New York Philharmonic’s music director, Jaap van Zweden will celebrate the conncection of the orchestra with Gustav Mahler. Pianist Daniil Trifonov will also participate in this tour.
Gustav Mahler: Lieder tbc
Gustav Mahler: Sinfonie Nr. 1 D-Dur in vier Sätzen für großes Orchester (''Titan'') (1884-88)
Dmitrij Schostakowitsch: Symphonie Nr. 5 d-Moll op. 47
Gustav Mahler: Sinfonie Nr. 2 c-Moll in fünf Sätzen für großes Orchester, Sopran- und Altsolo und gemischten Chor (1888-94) (Auferstehungs-Sinfonie)
New York Philharmonic
The New York Philharmonic plays a leading cultural role in New York City, the United States, and the world. This season’s projects will connect the Philharmonic with up to 50 million music lovers through live concerts in New York City and on its worldwide...
The New York Philharmonic plays a leading cultural role in New York City, the United States, and the world. This season’s projects will connect the Philharmonic with up to 50 million music lovers through live concerts in New York City and on its worldwide tours and residencies; digital recording series; international broadcasts on television, radio, and online; and as a resource through its wide range of education programs and the New York Philharmonic Leon Levy Digital Archives. In the 2016–17 season the New York Philharmonic celebrates its 175th anniversary and Alan Gilbert’s farewell season as Music Director.
The Orchestra has commissioned and/or premiered works by leading composers from every era since its founding in 1842 — including Dvořák’s New World Symphony, John Adams’s Pulitzer Prize–winning On the Transmigration of Souls, dedicated to the victims of 9/11, and Magnus Lindberg’s Piano Concerto No. 2.
Renowned around the globe, the Philharmonic has appeared in 432 cities in 63 countries — including the groundbreaking 1930 tour of Europe; the unprecedented 1959 tour to the USSR; the historic 2008 visit to Pyongyang, D.P.R.K., the first there by an American orchestra; and the Orchestra’s debut in Hanoi, Vietnam, in 2009. The New York Philharmonic serves as a resource for its community and the world. It complements its annual free concerts across the city — including the Concerts in the Parks, Presented by Didi and Oscar Schafer — with Philharmonic Free Fridays and a wide range of education programs, among them the famed, long-running Young People’s Concerts and Philharmonic Schools, an immersive classroom program that reaches thousands of New York City students.
The Orchestra established the New York Philharmonic Global Academy — collaborations with partners worldwide offering training of pre-professional orchestral musicians, often alongside performance residencies — following the launch of the flagship collaboration with the Shanghai Symphony Orchestra and Shanghai Conservatory of Music, including the formation of the Shanghai Orchestra Academy. Additional Global Academy partners include Santa Barbara’s Music Academy of the West and The Shepherd School of Music at Rice University.
The oldest American symphony orchestra and one of the oldest in the world, the New York Philharmonic has made more than 2,000 recordings since 1917, including several Grammy Award winners, and its self-produced digital recording series continues in the 2016–17 season. Music Director Alan Gilbert began his tenure in September 2009, succeeding a distinguished line of 20th-century musical giants that includes Leonard Bernstein, Arturo Toscanini, and Gustav Mahler.
The EUROPE / SPRING 2017 tour is sponsored by J.C. Flowers & Co.
Generous support is provided by Marie-Josée and Henry Kravis
Jaap van Zweden
Jaap van Zweden has risen rapidly in the past decade to become one of today’s most sought-after conductors. On January 27, 2016, the New York Philharmonic announced that Jaap van Zweden will be their new Music Director starting with the 2018-19 season, and...
Jaap van Zweden has risen rapidly in the past decade to become one of today’s most sought-after conductors. On January 27, 2016, the New York Philharmonic announced that Jaap van Zweden will be their new Music Director starting with the 2018-19 season, and will act as Music Director Designate during 2017-18. He has been Music Director of the Dallas Symphony Orchestra since 2008, holding the Louise W. & Edmund J. Kahn Music Directorship, and will continue in that role through the 2017-18 season, after which he becomes Conductor Laureate. He has also been Music Director of the Hong Kong Philharmonic Orchestra since 2012. The Amsterdam-born van Zweden was appointed at nineteen as the youngest concertmaster ever of the Royal Concertgebouw Orchestra and began his conducting career twenty years later in 1995. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic Orchestra and Conductor Emeritus of the Netherlands Radio Chamber Orchestra. In November 2011, van Zweden was named Musical America’s 2012 Conductor of the Year in recognition of his critically acclaimed work as Music Director of the Dallas Symphony Orchestra and as guest conductor with the most prestigious US orchestras.
Highlights of the 2015/16 season include return visits to the New York Philharmonic, Orchestre de Paris, Rotterdam and London Philharmonic Orchestras, as well as a debut performance with the Czech Philharmonic. Van Zweden returned to the Netherlands Radio Philharmonic in the fall of 2015 to lead a concert performance of Wagner’s Tristan und Isolde, and makes his debut at the Vienna State Opera in performances of Wagner’s Lohengrin in May.
Jaap van Zweden has appeared as guest conductor with many leading orchestras around the globe which, in addition to those above, include the Cleveland Orchestra, Chicago Symphony, Philadelphia Orchestra, Munich Philharmonic, WDR Symphony Orchestra Cologne, Orchestre National de France, Oslo Philharmonic, Rotterdam Philharmonic and Royal Concertgebouw Orchestra. Recent highlights have included highly successful appearances at the Verbier Festival, tours of major venues in Europe and China with the Hong Kong Philharmonic, and debuts with the Berlin Philharmonic, Vienna Philharmonic, Budapest Festival Orchestra, Tonhalle-Orchester Zürich, Chamber Orchestra of Europe, the Boston and London Symphonies, and his BBC Proms debut conducting the Netherlands Radio Philharmonic in Bruckner’s Eighth Symphony. With the Dallas Symphony he launched the inaugural SOLUNA International Music & Arts Festival, and with the Hong Kong Philharmonic he has embarked on a four-year project to conduct the first ever performances in Hong Kong of Wagner’s Der Ring des Nibelungen, which is being recorded for release on Naxos Records.
Jaap van Zweden has made numerous acclaimed recordings, which include Stravinsky’s Rite of Spring and Petrushka, Britten’s War Requiem, and the complete Beethoven and Brahms symphonies. He has recently completed a cycle of Bruckner symphonies with the Netherlands Radio Philharmonic. He has recorded Mahler’s Symphony No. 5 with the London Philharmonic (LPO Live), and Mozart Piano Concertos with the Philharmonia Orchestra and David Fray (Virgin). His highly praised performances of Lohengrin, Die Meistersinger and Parsifal are also available on CD/DVD, the latter of which earned Maestro van Zweden the prestigious Edison award for Best Opera Recording in 2012. For the Dallas Symphony’s own record label, he has released the symphonies of Tchaikovsky (Nos. 4 and 5), Beethoven (Nos. 5 and 7), Mahler (Nos. 3 and 6) and Dvořák (No. 9), and the world premiere recording of Steven Stucky’s concert drama August 4, 1964. Most recently released on Naxos is his recording with the Hong Kong Philharmonic of Wagner’s Das Rheingold.
In 1997, Jaap van Zweden and his wife Aaltje established the Papageno Foundation, the objective being to support families of children with autism. Over the years, that support has taken shape through a number of programs in which professional music therapists and musicians, receiving additional training from Papageno, use music as a major tool in their work with autistic children. Papageno House, a new home for autistic young adults and children, was opened in Laren, The Netherlands, in August, 2015, with Her Majesty Queen Maxima in attendance.
Daniil Trifonov, Piano
Russian pianist Daniil Trifonov (dan-EEL TREE-fon-ov) has made a spectacular ascent in the world of classical music as a solo artist, a champion of the concerto repertoire, a collaborator at the keyboard in chamber music and song, and a composer. Combining...
Russian pianist Daniil Trifonov (dan-EEL TREE-fon-ov) has made a spectacular ascent in the world of classical music as a solo artist, a champion of the concerto repertoire, a collaborator at the keyboard in chamber music and song, and a composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich, while the Times (UK) has named Trifonov “without question the most astounding pianist of our age.”
Focusing on Chopin in the 2017-18 season, he releases Chopin Evocations, his fourth album as an exclusive Deutsche Grammophon artist, which includes both works by Chopin himself and, marking Trifonov’s first foray into a new repertoire, works of 20th-century composers who were greatly influenced by the Polish master, including Samuel Barber, Federico Mompou and others.
Trifonov gives over 20 recitals on the same theme across the U.S., Europe and Asia this season, including one in Carnegie Hall as part of a seven-concert, season-long Perspectives series which he curates. Three of the seven concerts are devoted to Chopin and his influence: the solo recital and two all-Chopin programs with cellist Gautier Capuçon and the Kremerata Baltica chamber orchestra. Further concerts in the series include collaborations with baritone Matthias Goerne and Trifonov’s teacher and mentor Sergei Babayan, the latter capping a U.S. tour that includes the world premiere of a Carnegie-commissioned work for two pianos by Mauro Lanza; a performance of his own piano concerto with longtime collaborator Valery Gergiev leading the Mariinsky Orchestra, again culminating a U.S. tour; and finally a solo recital in Zankel Hall that includes a seminal piece from each decade of the 20th century. Trifonov curates a similar series of recitals and orchestral appearances this season at the Vienna Konzerthaus, where he gives five performances, and in San Francisco, concluding with a season-closing Rachmaninoff performance with the San Francisco Symphony and Michael Tilson-Thomas.
Trifonov’s season contains much else as well. He tours Asia in the fall with a combination of recitals and orchestral performances, and goes on European tours with violinist Gidon Kremer and Kremerata Baltica, the London Philharmonic, the Royal Concertgebouw Orchestra, and the Teatro alla Scala Orchestra. Other orchestral appearances include Strauss’s Burleske with the Spanish National Orchestra and Bavarian Radio Symphony Orchestra; the Schumann Concerto with Lisbon’s Gulbenkian Orchestra and the Berlin Philharmonic; Prokofiev with the Mariinsky Orchestra led by Gergiev, and the Cleveland Orchestra led by Michael Tilson Thomas; Scriabin’s Piano Concerto with the Seattle Symphony and Ludovic Morlot; a performance of his own piano concerto with the Detroit Symphony; and further Rachmaninoff performances with Gergiev and the Munich Philharmonic, the Toronto Symphony led by Peter Oundjian, and the Philadelphia Orchestra under the baton of Yannick Nézet-Séguin.
The 2016-17 season brought the release of Transcendental, a double album that represented Trifonov’s third title as an exclusive Deutsche Grammophon artist and the first time Liszt’s complete concert etudes had been recorded for the label in full. In concert, the pianist – winner of Gramophone’s 2016 Artist of the Year award – played Tchaikovsky’s First Piano Concerto under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th anniversary celebrations. Having scored his second Grammy Award nomination with Rachmaninoff Variations, he performed Rachmaninoff for his debut with the Berlin Philharmonic under Sir Simon Rattle at the orchestra’s famous New Year’s Eve concert, aired live in cinemas throughout Europe. Also with Rachmaninoff, he made debuts with the Melbourne and Sydney Symphonies, returned to the Los Angeles Philharmonic under Gustavo Dudamel and the Royal Liverpool Philharmonic, and headlined the Munich Philharmonic’s “Rachmaninoff Cycle” tour with Gergiev. Mozart was the vehicle for his reengagements with the New York Philharmonic, Cleveland Orchestra, and Philadelphia Orchestra, as well as for dates with the Staatskapelle Dresden at home and at the Salzburg Festival and London’s BBC Proms. He rejoined the Staatskapelle for Ravel, besides playing Beethoven with Zurich’s Tonhalle Orchestra; Prokofiev with the Rotterdam Philharmonic; Chopin on tour with the Mahler Chamber Orchestra; and Schumann with the Houston Symphony, Royal Stockholm Philharmonic, and on tour with Riccardo Chailly and the Teatro alla Scala Orchestra. With a new recital program of Schumann, Shostakovich, and Stravinsky, Trifonov made recital debuts at London’s Barbican and Melbourne’s Recital Centre; appeared in Berlin, Vienna, Florence, Madrid, Oslo, Moscow, and other European hotspots; and returned to Philadelphia, Baltimore, and – for the fourth consecutive year – the mainstage of New York’s Carnegie Hall. He also returned to the Tanglewood, Verbier, Baden-Baden, and Salzburg Festivals.
Other highlights of recent seasons include complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festival and with London’s Philharmonia Orchestra; debuts with the Chicago Symphony, Boston Symphony, Cleveland Orchestra, Philadelphia Orchestra, Montreal Symphony, Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia, London’s Royal Philharmonic and BBC Proms, the Berlin Staatskapelle, and the Royal Stockholm Philharmonic, where he headlined the prestigious Nobel Prize Concert; and an Asian tour with the Czech Philharmonic. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and the Salle Pleyel in Paris in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington D.C., Boston’s Celebrity Series, London’s Royal Festival and Queen Elizabeth halls, Amsterdam’s Concertgebouw (Master Piano Series), Berlin’s Philharmonie (the Kammermusiksaal), Munich’s Herkulessaal, Bavaria’s Schloss Elmau, Zurich’s Tonhalle, the Lucerne Piano Festival, the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris, Barcelona’s Palau de la Musica, Tokyo’s Opera City, and the Seoul Arts Center.
The 2013-14 season saw the release of Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist; captured live at his sold-out 2013 Carnegie Hall recital debut, the album scored both an ECHO Klassik Award and a Grammy nomination. Besides the similarly Grammy-nominated Rachmaninoff Variations, recorded with the Philadelphia Orchestra and Yannick Nézet-Séguin, his discography also features a Chopin album for Decca and a recording of Tchaikovsky’s First Piano Concerto with Gergiev and the Mariinsky Orchestra on the ensemble’s own label.
It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was also awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics.
Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own piano concerto in 2013, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”