- Yuja Wang, play & conduct
Yuja Wang who critics call "charismatic", "breathtaking", flawless" the world over goes on a journey with the Mahler Chamber Orchestra. They explore together piano concerti by Chopin and Beethoven which Yuja Wang will led from the piano. The orchestra is known for its leading interpretations of key works of the classical and romantic era as well as its work with modernis repertoire. Thus Lutoslawski and Beethoven will be the bracket for this programme.
Wolfgang Amadeus Mozart: Ouvertüre zu ''Don Giovanni'' KV 527
Ludwig van Beethoven: Klavierkonzert Nr. 1 C-Dur op. 15
Igor Strawinsky: Pulcinella - Suite für Orchester (Fassung von 1949)
Ludwig van Beethoven: Klavierkonzert Nr. 2 B-Dur op. 19
Mahler Chamber Orchestra
The Mahler Chamber Orchestra (MCO) was founded in 1997 based on the shared vision of being a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With 45 members spanning 20 different countries at its...
The Mahler Chamber Orchestra (MCO) was founded in 1997 based on the shared vision of being a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With 45 members spanning 20 different countries at its core, the MCO works as a nomadic collective of passionate musicians uniting for specific tours in Europe and across the world. The orchestra is constantly on the move: it has, to date, performed in 35 countries across five continents. It is governed collectively by its management team and orchestra board; decisions are made democratically with the participation of all musicians.
The MCO’s sound is characterized by the chamber music style of ensemble playing among its alert and independent musical personalities. Its core repertoire, ranging from the Viennese classical and early Romantic periods to contemporary works and world premieres, reflects the MCO’s agility in crossing musical boundaries.
The orchestra received its most significant artistic impulses from its founding mentor, Claudio Abbado, and from Conductor Laureate Daniel Harding. Pianist Mitsuko Uchida, violinist Isabelle Faust and conductor Teodor Currentzis are current Artistic Partners who inspire and shape the orchestra during long-term collaborations. In 2016, conductor Daniele Gatti was appointed Artistic Advisor of the MCO. Concertmaster Matthew Truscott leads and directs the orchestra regularly in its performances of chamber orchestra repertoire.
MCO musicians all share a strong desire to continually deepen their engagement with audiences. This has inspired a growing number of offstage musical encounters and projects that bring music, learning and creativity to communities across the globe. Feel the Music, the MCO’s flagship education and outreach project, has opened the world of music to deaf and hard of hearing children through interactive workshops in schools and concert halls since 2012. MCO musicians are equally committed to sharing their passion and expertise with the next generation of musicians: since 2009, they have, through the MCO Academy, worked with young musicians to provide them with a high quality orchestral experience and a unique platform for networking and international exchange.
In recent years, the MCO’s major projects have included the award-winning Beethoven Journey with pianist Leif Ove Andsnes, who led the complete Beethoven concerto cycle from the keyboard in international residences over four years, and the opera production Written on Skin, which the MCO premiered at the Festival d’Aix en Provence under the baton of composer George Benjamin, performed at the Mostly Mozart Festival in New York and toured, as a semi-staged concert production, to major European cities. In 2016, the MCO and Mitsuko Uchida embarked on a multiple-season partnership centred on Mozart’s piano concertos. Upon the conclusion of a complete cycle of Beethoven symphonies, the MCO and Daniele Gatti continue their focus on Robert Schumann’s symphonic work.
The Mahler Chamber Orchestra launches the 2017/18 season with its annual residency at the Lucerne Festival, in a concert exploring music from Central Europe with conductor François-Xavier Roth and violinist Patricia Kopatchinskaja. In the upcoming months, the MCO makes its highly anticipated debut at the George Enescu Festival, embarks on an extensive European tour with star pianist Yuja Wang, and – together with Artistic Partner Isabelle Faust – welcomes a new generation of young musicians at the MCO Academy before the year draws to a close with concerts led by Concertmaster Matthew Truscott at the Temporados Darcos Festival in Portugal.
The Mahler Chamber Orchestra has been awarded the Special Mention Prize of the German Design Award 2017 in recognition of its brand identity.
Yuja Wang, play & conduct, Play & Conduct (piano)
Her singular blend of technical prowess, keen musical insight, and emotional depth have established Yuja Wang as one of the world’s finest performers. The power of her interpretations emerges from a distinct combination of her exceptional presence on stage and...
Her singular blend of technical prowess, keen musical insight, and emotional depth have established Yuja Wang as one of the world’s finest performers. The power of her interpretations emerges from a distinct combination of her exceptional presence on stage and a natural affinity and inquisitive approach to the repertoire, which ranges from Mozart to Gershwin and beyond. ‘Charismatic’, ‘breathtaking’, ‘flawless’ and ‘heartfelt’ are just a selection of the superlatives used frequently by critics worldwide.
Yuja's 2017-18 season features recitals, concert series, and extensive tours with some of the world’s most venerated ensembles and conductors. She begins the summer of 2017 on tour with the London Symphony Orchestra and Michael Tilson Thomas and a programme featuring Brahms’ Piano Concerto No.2, followed by a performance of the first concerto at the Ravinia Festival with the Chicago Symphony Orchestra, under the baton of Lionel Bringuier. Later engagements include concerts with the Munich Philharmonic and Valery Gergiev, a series of performances at the Verbier Festival, and a three-city German tour with the St. Petersburg Philharmonic. She also embarks on play-conduct tours with two of the best chamber orchestras in the world, Mahler Chamber Orchestra and Chamber Orchestra of Europe, as well as joining the inaugural tour of Jaap van Zweden with the New York Philharmonic and the final tour of Yannick Nézet-Séguin’s directorship with the Rotterdam Philharmonic. Other notable appearances include concerts in Hong Kong, Miami, Washington D.C., Prague, Tel Aviv, and Berlin.
Winter of 2017 sees Yuja reunite with violinist and frequent collaborator Leonidas Kavakos for a European chamber tour, whilst in the spring of 2018, Ms. Wang will embark on a vast-reaching recital tour at premiere venues in the US and Europe; New York City, San Francisco, Rome, Vienna, Berlin, Paris, and beyond.
As part of its commitment to the arts, Rolex selected Yuja Wang as one of its cultural ambassadors in 2009, a distinction she holds to this day. She has been described by the New York Times as “one of the best young pianists around” and hailed by the Sydney Morning Herald for her “blistering technique.” In July 2015 the Los Angeles Times declared: “Hers is a nonchalant, brilliant keyboard virtuosity that would have made both Prokofiev (who was a great pianist) and even the fabled Horowitz jealous.” This combination of critical acclaim, audience ovations, return engagements at leading international venues, and an exclusive recording relationship with Deutsche Grammophon confirm Yuja Wang’s status as one of this century’s most compelling and engaging artists.
Yuja’s way of making music connects with a strikingly broad demographic. It appeals to everyone, from classical music newcomers to devoted pianophiles, and has attracted an exceptionally youthful following. Her love for fashion, recognised by her induction into Giorgio Armani’s Sì Women’s Circle, has also contributed to the popular appeal of an artist who is armed with the ability to challenge the status quo and to welcome fresh converts to the concert hall.
Yuja Wang was born in Beijing and encouraged to make music at a young age by her dancer mother and percussionist father, which served as the catalyst for the never-ending thirst for knowledge that has sustained her continued musical development. She began piano lessons at the age of six, and her progress was accelerated by studies at Beijing’s Central Conservatory of Music. In 1999 she moved to Canada to participate in the Morningside Music summer programme at Calgary’s Mount Royal College, and thereafter enrolled as the youngest ever student at Mount Royal Conservatory. Wang’s exceptional gifts were widely recognised in 2001 with her appointment as a Steinway Artist, and again the following year when she was offered a place at Philadelphia’s prestigious Curtis Institute of Music, where she studied with Gary Graffman.
By the time Yuja graduated from Curtis in 2008, she had already gained momentum following the spectacular success of her debut three years earlier with the National Arts Center Orchestra in Ottawa. Wang attracted widespread international attention in March 2007 when she replaced Martha Argerich on short notice in performances of Tchaikovsky’s Piano Concerto No.1 with the Boston Symphony Orchestra, and within the span of just a few seasons she was working with conductors of the highest calibre. Over the past decade of her career, she has worked with such pre-eminent Maestros as Claudio Abbado, Daniel Barenboim, Gustavo Dudamel, Valery Gergiev, Michael Tilson Thomas, Antonio Pappano, Charles Dutoit, and Zubin Mehta.
In January 2009, Yuja Wang became an exclusive Deutsche Grammophon recording artist. Her debut album, Sonatas & Etudes, prompted Gramophone to name her as its 2009 Young Artist of the Year. Her 2011 release of Rachmaninov’s Second Piano Concerto and Paganini’s Rhapsody with the Mahler Chamber Orchestra and Claudio Abbado was nominated for a Grammy® Award in the Best Classical Instrumental Solo category. Subsequent releases for the label include Fantasia, an album of encore pieces by Albéniz, Bach, Chopin, Rachmaninov, Saint-Saëns, Scriabin, and others; a live recording of Prokofiev’s Concertos Nos. 2 and 3 with Gustavo Dudamel and the Simón Bolívar Symphony Orchestra, and an acclaimed coupling of Ravel’s two piano concerti with Fauré’s Ballade, recorded with the Tonhalle Orchestra Zurich and Lionel Bringuier. Reviewers around the world have documented the full range of Wang’s work, capturing the essence of her musicianship and observing the development of an artist blessed with consummate technical abilities, an inexhaustible creative imagination, and an unmatched artistry.