- Gustavo Gimeno,
- Yuja Wang
Together Gustavo Gimeno and Yuja Wang bring an abundance of youthful spirit to the concert stage, so that the audience can't do anything but let itself be carried away. A critic once wrote about Yuja Wang's performance of Shostakovich's First piano concert that "although Shostakovich’s First Piano Concerto has sharp teeth, Yuja Wang blazed through any and all of its difficulties with abundant fire, and glittered through all the subtle ironies and humor so akin to the composer." Her performance of the 2nd piano concerto has the audience curious.
Peter I. Tschaikowsky: Der Sturm - Orchesterfantasie nach Shakespeare's "The Tempest" op. 18 f-Moll (1873)
Maurice Ravel: Klavierkonzert D-Dur für die linke Hand (1929/30)
Dmitrij Schostakowitsch: Konzert für Klavier und Orchester Nr. 2 F-Dur op. 102
Maurice Ravel: Daphnis et Chloé - 2. Suite (1913)
Igor Strawinsky: Der Feuervogel - Suite (für großes Orchester) von 1919
Orchestre Philharmonique du Luxembourg
The orchestra of the Grand Duchy, the Orchestre Philharmonique du Luxembourg (OPL), represents a very dynamic part of the culture of its country. Since its brilliant debut in 1933 under the aegis of Radio Luxembourg (RTL), the orchestra has performed all over...
The orchestra of the Grand Duchy, the Orchestre Philharmonique du Luxembourg (OPL), represents a very dynamic part of the culture of its country. Since its brilliant debut in 1933 under the aegis of Radio Luxembourg (RTL), the orchestra has performed all over Europe. Publicly administered since 1996, the OPL has since 2005 been resident at the Philharmonie Luxembourg, one of the most prestigious concert halls in Europe.
The acoustics of its residence, praised by great orchestras, conductors, and soloists from all over the world, its long-standing relationships with renowned halls and festivals, as well as its close collaboration with first-rate musical personalities, have contributed to making the OPL an orchestra renowned for the elegance of its sound. Its standing has been confirmed by an impressive list of awards received for CDs released over the last few years: Grammy Award, Grand Prix Charles Cros, Preis der deutschen Schallplattenkritik, BBC Music Choice, as well as, on several occasions, Diapason d’Or, Choc du Monde de la Musique along with many others.
In Gustavo Gimeno’s third season as Music Director (following Henri Pensis, Carl Melles, Louis de Froment, Leopold Hager, David Shallon, Bramwell Tovey, and Emmanuel Krivine), there is a particular emphasis on the scope of repertoire ranging from Charpentier, Mozart, Brahms, Mahler, Shostakovitch and Debussy to Bernstein, Feldman, and Czernowin. A new recording collaboration with the label Pentatone started with the release of the two volumes dedicated to Bruckner and Shostakovitch in May 2017.
The orchestra demonstrates its diversity in concert formats such as «L’Heure de pointe», «Lunch concerts», «Aventure+», regular opera productions staged at the Grand Théâtre de Luxembourg, film-concerts such as «Live Cinema» in collaboration with the Cinémathèque de la Ville de Luxembourg and «Pops at the Phil» evenings.
Musical partnerships in the 2017/18 season include the artists in residence at the Philharmonie Paavo Järvi, Anna Prohaska and Jean-François Zygel. The OPL will perform with conductors including Lahav Shani, Susanna Mälkki, Juraj Valcuha, Karel Mark Chichon, Jérémie Rhorer or Nikolaj Znaider, and soloists such as Daniel Barenboim, Stefano Bollani, Khatia Buniatishvili, Anja Harteros, Anna Larsson, Sir Bryan Terfel, Krystian Zimerman and Frank Peter Zimmermann.
Alongside an extensive repertoire and diverse audiences, as well as the esteem of top-class guest performers, the OPL and the Philharmonie Luxembourg also share an interest in innovative educational projects for children and young people and indeed in adult education. Since 2003, the orchestra has taken on concerts and workshops for schools, children, and families, as well as educational DVD productions. It performs in schools and hospitals, and prepares school classes for its subscription concerts. Furthermore, it invites audiences to discover orchestral music with the help of well-known presenters such as Jean-François Zygel in its «Dating:» series.
The orchestra, which consists of 98 musicians is regularly invited to perform at music venues in Europe, as well as in Asia and the USA. In 2017/18, guest performances will take the orchestra to Spain, Germany, Austria, Belgium, Italy and the Netherlands. OPL concerts are regularly broadcast by Luxembourg radio 100,7 and internationally by the European Broadcasting Union (EBU).
The OPL is subsidised by the Ministry of Culture of the Grand Duchy and receives further support from the City of Luxembourg. Its sponsors are BGL BNP Paribas, Banque de Luxembourg, Batipart Invest, BCEE, Mercedes Benz, and POST Luxembourg. Since December 2012, a cello made by Matteo Goffriller (1659–1742), known as «Le Luxembourgeois», has been placed at the OPL’s disposal by BGL BNP Paribas.
Gustavo Gimeno has been Music Director of the Orchestre Philharmonique du Luxembourg (OPL) since 2015. During the past season Gustavo Gimeno and the OPL extended their contract for three more years until 2022. Gustavo Gimeno conducts the OPL in various concert...
Gustavo Gimeno has been Music Director of the Orchestre Philharmonique du Luxembourg (OPL) since 2015.
During the past season Gustavo Gimeno and the OPL extended their contract for three more years until 2022. Gustavo Gimeno conducts the OPL in various concert formats and plans to expand the orchestra’s touring activities as well as its discography. In the current season he will share the Philharmonie stage with such artists as Daniel Barenboim, Krystian Zimerman, Khatia Buniatishvili, Sir Bryn Terfel and Frank Peter Zimmermann. He will again present an opera production in Luxembourg, Mozart’s Don Giovanni.
Gustavo Gimeno is in great demand worldwide as a guest conductor. In 2017/18 he has been invited back to the Boston Symphony Orchestra, the Cleveland Orchestra, the Dallas Symphony Orchestra, the Royal Concertgebouw Orchestra Amsterdam, the Orchestre National de France, the Wiener Symphoniker and the Philharmonia Zurich. Further he will debut with orchestras such as the Mariinsky Orchestra, the Toronto Symphony Orchestra, the WDR Sinfonieorchester Cologne, the Orchestra Sinfonica Nazionale RAI and the Royal Stockholm Philharmonic Orchestra. In addition, he will return to the Orchestra of the Eighteenth Century, which specialises in historically informed performance practice.
Highlights of the past season included debuts with the Chicago Symphony Orchestra, the Boston Symphony Orchestra, the National Symphony Orchestra Washington, the Philharmonia Orchestra, the Wiener Symphoniker and the Orchestra dell’Accademia Nazionale di Santa Cecilia.
Gustavo Gimeno made his opera debut in 2015 with Bellini’s Norma at the Valencia Opera House. During the past season he conducted Verdi’s Simon Boccanegra with the OPL at the Grand Théâtre in Luxembourg.
In 2017 the classical label PENTATONE, the OPL and Gustavo Gimeno announced a multiple-release collaboration. Recordings of the First Symphonies by Dmitri Shostakovich and Anton Bruckner, Maurice Ravel’s complete Daphnis et Chloé and, most recently, Gustav Mahler’s Fourth Symphony have been released thus far.
Born in Valencia, Gustavo Gimeno began his international conducting career in 2012, when he was a member of the Royal Concertgebouw Orchestra Amsterdam, as assistant to Mariss Jansons. He also gained significant experience as assistant to Bernard Haitink and Claudio Abbado, mentors who actively nurtured his talent and influenced him in many ways.
Yuja Wang, Piano
Her singular blend of technical prowess, keen musical insight, and emotional depth have established Yuja Wang as one of the world’s finest performers. The power of her interpretations emerges from a distinct combination of her exceptional presence on stage and...
Her singular blend of technical prowess, keen musical insight, and emotional depth have established Yuja Wang as one of the world’s finest performers. The power of her interpretations emerges from a distinct combination of her exceptional presence on stage and a natural affinity and inquisitive approach to the repertoire, which ranges from Mozart to Gershwin and beyond. ‘Charismatic’, ‘breathtaking’, ‘flawless’ and ‘heartfelt’ are just a selection of the superlatives used frequently by critics worldwide.
Yuja's 2017-18 season features recitals, concert series, and extensive tours with some of the world’s most venerated ensembles and conductors. She begins the summer of 2017 on tour with the London Symphony Orchestra and Michael Tilson Thomas and a programme featuring Brahms’ Piano Concerto No.2, followed by a performance of the first concerto at the Ravinia Festival with the Chicago Symphony Orchestra, under the baton of Lionel Bringuier. Later engagements include concerts with the Munich Philharmonic and Valery Gergiev, a series of performances at the Verbier Festival, and a three-city German tour with the St. Petersburg Philharmonic. She also embarks on play-conduct tours with two of the best chamber orchestras in the world, Mahler Chamber Orchestra and Chamber Orchestra of Europe, as well as joining the inaugural tour of Jaap van Zweden with the New York Philharmonic and the final tour of Yannick Nézet-Séguin’s directorship with the Rotterdam Philharmonic. Other notable appearances include concerts in Hong Kong, Miami, Washington D.C., Prague, Tel Aviv, and Berlin.
Winter of 2017 sees Yuja reunite with violinist and frequent collaborator Leonidas Kavakos for a European chamber tour, whilst in the spring of 2018, Ms. Wang will embark on a vast-reaching recital tour at premiere venues in the US and Europe; New York City, San Francisco, Rome, Vienna, Berlin, Paris, and beyond.
As part of its commitment to the arts, Rolex selected Yuja Wang as one of its cultural ambassadors in 2009, a distinction she holds to this day. She has been described by the New York Times as “one of the best young pianists around” and hailed by the Sydney Morning Herald for her “blistering technique.” In July 2015 the Los Angeles Times declared: “Hers is a nonchalant, brilliant keyboard virtuosity that would have made both Prokofiev (who was a great pianist) and even the fabled Horowitz jealous.” This combination of critical acclaim, audience ovations, return engagements at leading international venues, and an exclusive recording relationship with Deutsche Grammophon confirm Yuja Wang’s status as one of this century’s most compelling and engaging artists.
Yuja’s way of making music connects with a strikingly broad demographic. It appeals to everyone, from classical music newcomers to devoted pianophiles, and has attracted an exceptionally youthful following. Her love for fashion, recognised by her induction into Giorgio Armani’s Sì Women’s Circle, has also contributed to the popular appeal of an artist who is armed with the ability to challenge the status quo and to welcome fresh converts to the concert hall.
Yuja Wang was born in Beijing and encouraged to make music at a young age by her dancer mother and percussionist father, which served as the catalyst for the never-ending thirst for knowledge that has sustained her continued musical development. She began piano lessons at the age of six, and her progress was accelerated by studies at Beijing’s Central Conservatory of Music. In 1999 she moved to Canada to participate in the Morningside Music summer programme at Calgary’s Mount Royal College, and thereafter enrolled as the youngest ever student at Mount Royal Conservatory. Wang’s exceptional gifts were widely recognised in 2001 with her appointment as a Steinway Artist, and again the following year when she was offered a place at Philadelphia’s prestigious Curtis Institute of Music, where she studied with Gary Graffman.
By the time Yuja graduated from Curtis in 2008, she had already gained momentum following the spectacular success of her debut three years earlier with the National Arts Center Orchestra in Ottawa. Wang attracted widespread international attention in March 2007 when she replaced Martha Argerich on short notice in performances of Tchaikovsky’s Piano Concerto No.1 with the Boston Symphony Orchestra, and within the span of just a few seasons she was working with conductors of the highest calibre. Over the past decade of her career, she has worked with such pre-eminent Maestros as Claudio Abbado, Daniel Barenboim, Gustavo Dudamel, Valery Gergiev, Michael Tilson Thomas, Antonio Pappano, Charles Dutoit, and Zubin Mehta.
In January 2009, Yuja Wang became an exclusive Deutsche Grammophon recording artist. Her debut album, Sonatas & Etudes, prompted Gramophone to name her as its 2009 Young Artist of the Year. Her 2011 release of Rachmaninov’s Second Piano Concerto and Paganini’s Rhapsody with the Mahler Chamber Orchestra and Claudio Abbado was nominated for a Grammy® Award in the Best Classical Instrumental Solo category. Subsequent releases for the label include Fantasia, an album of encore pieces by Albéniz, Bach, Chopin, Rachmaninov, Saint-Saëns, Scriabin, and others; a live recording of Prokofiev’s Concertos Nos. 2 and 3 with Gustavo Dudamel and the Simón Bolívar Symphony Orchestra, and an acclaimed coupling of Ravel’s two piano concerti with Fauré’s Ballade, recorded with the Tonhalle Orchestra Zurich and Lionel Bringuier. Reviewers around the world have documented the full range of Wang’s work, capturing the essence of her musicianship and observing the development of an artist blessed with consummate technical abilities, an inexhaustible creative imagination, and an unmatched artistry.