- Sir John Eliot Gardiner,
- Isabelle Faust,
- Kristian Bezuidenhout
Opening work tbc
Ludwig van Beethoven: Klavierkonzert Nr. 3 c-Moll op. 37
Robert Schumann: Symphonie Nr. 1 B-Dur op. 38 (Frühlingssymphonie)
Robert Schumann: Manfred-Ouvertüre op. 115 (1848)
Felix Mendelssohn Bartholdy: Konzert für Violine, Klavier und Streicher d-Moll
Robert Schumann: Symphonie Nr. 3 Es-Dur op. 97 (Rheinische Symphonie)
London Symphony Orchestra
The London Symphony Orchestra is bringing the greatest music to the greatest number of people. This is at the heart of everything that it does. This commitment to serve music and the people who love music is borne of a unique ethos developed over more than 100...
The London Symphony Orchestra is bringing the greatest music to the greatest number of people. This is at the heart of everything that it does. This commitment to serve music and the people who love music is borne of a unique ethos developed over more than 100 years. Established in 1904 by a number of London’s finest musicians, the LSO is a self-governing musical collective built on artistic ownership and partnership. By taking full control of their activities, the founding Members were able to set an agenda that pushed music-making to the fore. The Orchestra is still owned by its Members and has a signature sound emanating from the combined zeal and virtuosity of these 90 brilliant musicians who come from around the world. Music-making remains firmly at the centre of the Orchestra’s activities, and this approach is embraced by a dedicated and enthusiastic administration.
The LSO has been the Resident Orchestra at the Barbican in the City of London since the Centre opened in 1982. It gives 70 symphonic concerts there every year, and performs a further 70 concerts worldwide on tour. The LSO also programmes 24 concerts at LSO St Luke’s and 950 workshops and 147 concerts through its community and education programme, LSO Discovery, each year. It is a champion of new music and regularly commissions some of the foremost British composers to write significant new works for full orchestra and mixed-ability ensembles.
The LSO has developed a close family of artists who continually demonstrate their commitment to this Orchestra, with Sir Simon Rattle as Music Director, Gianandrea Noseda and François-Xavier Roth as Principal Guest Conductors, Michael Tilson Thomas as Conductor Laureate and André Previn as Conductor Emeritus. We also enjoy long-standing relationships with some of the world’s greatest conductors and soloists who relish the boundless professional ambitions that the LSO offers. Conducting the Orchestra has been likened to driving a high-performance sports car that can, in Sir Simon Rattle’s words, ‘turn on the head of a pin’. It is a responsive and intelligent Orchestra, with an attitude of total commitment in all that it does. This is guided by a desire to always be the best it can possibly be and to give the highest quality performances no matter what the performance setting. Many LSO Members enjoy flourishing solo and chamber music careers and teach at conservatoires in London and abroad, sharing their extensive knowledge with the musicians of the future. These musical experiences are always brought back into the Orchestra itself, where they inspire and influence the players towards even higher standards of performance.
Many millions have enjoyed the LSO through its reputation as a leading orchestra for film, having performed on (and been specifically chosen for) hundreds of classic scores including Star Wars, Harry Potter and Indiana Jones. LSO Discovery brings the work of the LSO with all parts of society, and every year the Orchestra gives a free outdoor concert in London’s Trafalgar Square. Combined, these activities reflect the LSO’s co-operative spirit and its ongoing commitment to making music as accessible as possible to the greatest number of people.
LSO Discovery was founded in 1990 and remains a pioneering programme for music education in the UK. Since 2003 this has been based at LSO St Luke’s, following extensive restoration to the once abandoned church, which now acts as a home to a wide range of education and outreach projects, and as a venue for concerts designed for the local community, encouraging many to take their first steps towards enjoying classical music. And because much of LSO Discovery’s work is captured and disseminated digitally, enthusiasts, pupils and teachers from around the world can benefit from these activities in spite of their physical location. Committed to nurturing the next generation of musical talent, LSO Discovery also provides extensive support and training for emerging young instrumentalists, composers and conductors.
The LSO is an entrepreneurial and successful creative enterprise with a history of innovation that helps to keep it relevant and contemporary. With the formation of its own recording label LSO Live in 1999, the Orchestra brought about a revolution in how live orchestral music was recorded. The label strives to embrace new digital technologies, having successfully made pioneering moves into digital film, Blu-Ray Audio, downloads and streaming. It continues to innovate with platforms such as LSO Play, a web-based video player that allows people to observe the Orchestra from many different angles and experience every gesture and emotion on the musicians’ faces. The LSO’s entrepreneurial spirit is what makes it a highly successful creative enterprise and an important cultural part of the United Kingdom’s commercial community, self-generating 75% of its own income.
The LSO is determined to ensure the future of great music in London and throughout the world, and is part of a cultural hub in the City of London alongside the Barbican Centre, the Museum of London and the Guildhall School. Its Barbican Residency is funded by The Corporation of London and the LSO is a National Portfolio Organisation of the Arts Council England. It also enjoys major artistic residencies throughout the world – in New York, Paris and Tokyo – plus growing relationships elsewhere in Asia, principally China and India, where its expertise in education work is key. The Orchestra relies on all of these strategic partnerships at home and abroad, plus its generous funders, to enable it to continue delivering a dynamic range of work.
Sir John Eliot Gardiner
Sir John Eliot Gardiner is revered as one of the world’s most innovative and dynamic musicians, constantly in the vanguard of enlightened interpretation, who stands as a leader in today’s musical life. His work with the Monteverdi Choir (MVC), English Baroque...
Sir John Eliot Gardiner is revered as one of the world’s most innovative and dynamic musicians, constantly in the vanguard of enlightened interpretation, who stands as a leader in today’s musical life. His work with the Monteverdi Choir (MVC), English Baroque Soloists (EBS) and Orchestre Révolutionnaire et Romantique (ORR), of which he is founder and Artistic Director, has marked him out as a key figure in the early music revival and a pioneer of historically informed performances. As a regular guest of the world’s leading symphony orchestras, such as the London Symphony Orchestra (LSO), Symphonieorchester des Bayerischen Rundfunks, Royal Concertgebouw Orchestra and Gewandhausorchester Leipzig, Gardiner conducts repertoire from the 17th to the 20th century. He was awarded the Concertgebouw Prize in January 2016.
The extent of Gardiner’s repertoire is illustrated in the extensive catalogue awardwinning recordings on major labels (including Deutsche Grammophon, Decca, Philips and Erato); in addition to works by Renaissance and Baroque composers, his discography includes Mozart, Schumann, Berlioz, Elgar and Kurt Weill, recorded with his own ensembles and with leading orchestras including the Vienna Philharmonic. In 2013 Deutsche Grammophon released a special 30-CD collection to celebrate Gardiner's 70th birthday.
Since 2005 his recordings have appeared on the Monteverdi ensembles’ independent label, Soli Deo Gloria (SDG), established to release the series of live recordings made during Gardiner’s Bach Cantata Pilgrimage in 2000, for which he received Gramophone’s 2011 Special Achievement Award and a Diapason d’or de l’année 2012. SDG’s catalogue has expanded to include recordings of other Bach masterpieces, a Brahms symphony cycle, and a cappella recordings with the Monteverdi Choir. With the ORR, Gardiner has released recordings of Beethoven’s Symphonies Nos 2 & 7 (2012) and Missa Solemnis (2013), live from their sell-out tour of Europe and the USA. Sir John Eliot Gardiner has received more Gramophone Awards than any other living artist. His many accolades for his recordings include two GRAMMY Awards.
Gardiner has conducted opera productions at the Royal Opera House, Covent Garden (ROH), at the Vienna State Opera and at Teatro alla Scala, Milan. From 1983 to 1988 he was artistic director of Opéra de Lyon, where he founded its new orchestra. Following the success in 2008 of Verdi Simon Boccanegra at ROH, he returned there to conduct Verdi Rigoletto in 2012, and Mozart Le nozze di Figaro in 2013, celebrating 40 years since his debut in 1973. In autumn 2015, he returned to ROH to conduct Gluck Orphée et Eurydice, with the MVC and EBS, co-directed by Hofesh Schechter and John Fulljames.
Gardiner has a close relationship with the LSO, with whom he concludes in 2016/17 his Mendelssohn cycle of the complete symphonies and smaller works, recorded for LSO Live, performances of "pace, clarity and flaming-eyed conviction" (Financial Times). Other guest conducting highlights this season include returns to the Royal Concertgebouw Orchestra and Symphonieorchester des Bayerischen Rundfunks. He returned in 2016 to the Berliner Philharmoniker for Stravinsky Oedipus Rex.
2016 marked Sir John Eliot Gardiner’s 65th performance at the BBC Proms, of Berlioz Roméo et Juliette with the ORR, subsequently performing the same work at the Festival Berlioz in La Côte Saint-André. The 2016 Edinburgh International Festival included two concerts with the MVC, Schumann Manfred with the Scottish Chamber Orchestra, and Bach St Matthew Passion with the EBS, sung from memory and part of a year-long European tour of the work. In 2017, Gardiner, the EBS and MVC undertake a year’s celebration of Monteverdi, performing his three surviving operas around the world.
An authority on the music of J.S. Bach, Gardiner’s book, Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach, was published in October 2013 by Allen Lane, leading to the Prix des Muses award (Singer-Polignac). In 2014 Gardiner became the first ever President of the Bach-Archiv Leipzig. He became the inaugural Christoph Wolff Distinguished Visiting Scholar at Harvard University in 2014/15.
Among numerous awards in recognition of his work, Sir John Eliot Gardiner holds honorary doctorates from the New England Conservatory of Music and from the universities of Lyon, of Cremona and of St Andrews; he is an Honorary Member of the Royal Academy of Music, an Honorary Fellow of King’s College, London, of the British Academy and of King’s College, Cambridge, where he himself studied and from where he received an Honorary Doctorate. In 2008 he received the prestigious Royal Academy of Music Bach Prize. Gardiner was made Chevalier de la Légion d'honneur in 2011 and was given the Order of Merit of the Federal Republic of Germany in 2005. In the UK, he was made a Commander of the British Empire in 1990 and awarded a knighthood for his services to music in the 1998 Queen’s Birthday Honours List.
Isabelle Faust, Violin
Isabelle Faust captivates her listeners through her insightful and faithful interpretations, based on a thorough knowledge of the historical context of the works as well as her attention to current scholarship. At an early age, Isabelle Faust won the...
Isabelle Faust captivates her listeners through her insightful and faithful interpretations, based on a thorough knowledge of the historical context of the works as well as her attention to current scholarship.
At an early age, Isabelle Faust won the prestigious Leopold Mozart and Paganini competitions and was soon invited to appear with the world's leading orchestras, including the Berlin Philharmonic, the Boston Symphony Orchestra, the NHK Symphony Orchestra Tokyo, the Freiburg Baroque Orchestra and the Chamber Orchestra of Europe. 2016 marks her first year as „Artistic Partner“ for the Mahler Chamber Orchestra.
Isabelle Faust performs a wide-ranging repertoire, from J.S Bach all the way through to contemporary composers such as Ligeti, Lachenmann and Widmann. To highlight this versatility, in addition to her mastery of the great symphonic violin concertos, Isabelle Faust also performs works such as Kurtág's "Kafka Fragments" with the soprano Anna Prohaska, or Schubert’s octet on historical instruments. She will premiere several new works for violin and orchestra during the next seasons, including concerti by the composers Ondrej Adamek, Marco Stroppa, Oscar Strasnoy and Beat Furrer.
Over the course of her career, Isabelle Faust has regularly performed or recorded with world-renowned conductors including John Eliot Gardiner, Philippe Herreweghe, Daniel Harding, Bernard Haitink and Andris Nelsons. During recent years Isabelle Faust developed a close relationship with the late Claudio Abbado and performed and recorded under his baton. Their recording of Beethoven's and Berg's violin concertos with the Orchestra Mozart received a "Diapason d'or" (France), "Echo Klassik" (Germany), "Gramophone Award 2012" (UK) as well as a "Record Academy Award" (Japan).
Faust has recorded many discs for harmonia mundi with her recital partner Alexander Melnikov. These include their latest album with the Brahms Sonatas for violin and piano, as well as Schumann’s piano trios. Both, her recording of Mozart’s violin concerti with Il Giardino Armonico and Giovanni Antonini, as well as Bach’s hapsichord sonatas with Kristian Bezuidenhout will be released in 2016/17.
Kristian Bezuidenhout, Piano
Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of...
Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London. After initial training as a pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. Bezuidenhout first gained international recognition at the age of 21 after winning the prestigious first prize, and audience prize in the Bruges Fortepiano Competition.
Bezuidenhout is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestra of the Age of Enlightenment, Orchestre des Champs Elysées, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra & the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415 and the Kammerakademie Potsdam.
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
Bezuidenhout's rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart (Diapason d’Or de L’année, Preis der Deutschen Schallplattenkritik, & Caecilia Prize); Mozart Violin Sonatas with Petra Müllejans; Mendelssohn and Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Beethoven, & Mozart Lieder, and Schumann Dichterliebe with Mark Padmore (Edison Award). In 2013 he was nominated as Gramophone Magazine’s Artist of the Year. Forthcoming releases include Volume 2 of Mozart Piano Concertos with the Freiburger Barockorchester.
In the 2016/17 season, Bezuidenhout performs fortepiano concerti with the Orchestre Révolutionnaire et Romantique/Gardiner, Orchestre des Champs Elysées/Herreweghe and Il Giardino Armonico/Antonini; as harpsichord soloist with Arcangelo/Cohen (Bach Concerti); and on modern piano with the Chamber Orchestra of Europe/Haitink, Amsterdam Sinfonietta/de Vriend, Symphonieorchester des Bayerischen Rundfunks/Labadie, Australian Chamber Orchestra/Tognetti, & Melbourne Symphony Orchestra/Egarr. Solo recitals and chamber music take him to London, New York, Tokyo, Boston, Madrid, Innsbruck & Sydney; and he will direct his first Bach St. Matthew Passion with the Dunedin Consort.
Bezuidenhout has been appointed Artistic Director of the Freiburger Barockorchester for three years from the 2017/18 season.
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