- Fazıl Say
Academy of St Martin in the Fields
The Academy of St Martin in the Fields is one of the world’s greatest chamber orchestras, renowned for fresh, brilliant interpretations of the world’s greatest classical music. Formed by Sir Neville Marriner in 1958 from a group of leading London...
The Academy of St Martin in the Fields is one of the world’s greatest chamber orchestras, renowned for fresh, brilliant interpretations of the world’s greatest classical music.
Formed by Sir Neville Marriner in 1958 from a group of leading London musicians, the Academy gave its first performance in its namesake church in November 1959. Through unrivalled live performances and a vast recording output – highlights of which include the 1969 best-seller Vivaldi’s Four Seasons and the soundtrack to the Oscar-winning film Amadeus– the Academy quickly gained an enviable international reputation for its distinctive, polished and refined sound. With over 500 releases in a much-vaunted discography and a comprehensive international touring programme, the name and sound of the Academy is known and loved by classical audiences throughout the world.
Today the Academy is led by Music Director and virtuoso violinist Joshua Bell, retaining the collegiate spirit and flexibility of the original small, conductor-less ensemble which has become an Academy hallmark. Under Bell's direction, and with the support of Director / Leader Tomo Keller and Principal Guest Conductor Murray Perahia, the Academy continues to push the boundaries of play-directed performance to new heights, presenting symphonic repertoire and chamber music on a grand scale at prestigious venues from New York to Beijing.
Alongside 80 performances in 16 different countries during the 2017/18 season, the Academy continues to reach out to people of all ages and backgrounds through its learning and participation programmes. The Academy’s flagship project for young people provides performance workshops for primary and secondary school children; partnerships with Southbank Sinfonia, the Guildhall School of Music and Drama, the Royal Northern College of Music and masterclasses on tour further the development of the professional musicians of tomorrow; the Academy provides a creative outlet for some of London’s most vulnerable adults at a centre for homeless people; and a regular programme of pre-concert talks and podcasts create opportunities for Academy audiences the world over to connect and learn with the orchestra.
Fazıl Say, Piano
With his extraordinary pianistic talents, Fazıl Say has been touching audiences and critics alike for more than twenty-five years, in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with...
With his extraordinary pianistic talents, Fazıl Say has been touching audiences and critics alike for more than twenty-five years, in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something different. They are more direct, more open, more exciting; in short, they go straight to the heart. Which is exactly what the composer Aribert Reimann thought in 1986 when, during a visit to Ankara, he had the op-portunity, more or less by chance, to appreciate the playing of the sixteen-year-old pianist. He im-mediately asked the American pianist David Levine, who was accompanying him on the trip, to come to the city’s conservatory, using the now much-quoted words: ‘You absolutely must hear him, this boy plays like a devil.’
Fazıl Say had his first piano lessons from Mithat Fenmen, who had himself studied with Alfred Cortot in Paris. Perhaps sensing just how talented his pupil was, Fenmen asked the boy to improvise every day on themes to do with his daily life before going on to complete his essential piano exercises and studies. This contact with free creative processes and forms is seen as the source of the immense improvisatory talent and the aesthetic outlook that make Fazıl Say the pianist and composer he is today. He has been commissioned to write music for, among others, the Salzburg Festival, the WDR, the Dortmund Konzerthaus and the Schleswig-Holstein and Mecklenburg-Vorpommern festivals. His work includes compositions for solo keyboard and chamber music, as well as solo concertos and large-scale orchestral works.
From 1987 onwards, Fazıl Say fine-tuned his skills as a classical pianist with David Levine, first at the Musikhochschule Robert Schumann in Düsseldorf and later in Berlin. In addition, he regularly at-tended master classes with Menahem Pressler. His outstanding technique very quickly enabled him to master the so-called warhorses of the repertoire with masterful ease. It is precisely this blend of refinement (in Bach, Haydn, and Mozart) and virtuoso brilliance in the works of Liszt, Mussorgsky and Beethoven that gained him victory at the Young Concert Artists international competition in New York in 1994. Since then he has played with all of the renowned American and European or-chestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.
Guest appearances have taken Fazıl Say to countless countries on all five continents; the French newspaper Le Figaro called him ‘a genius’. He also performs chamber music regularly: for many years he was part of a fantastic duo with the violinist Patricia Kopatchinskaja. Other notable collabo-rators include Maxim Vengerov, the Minetti Quartet, Nicolas Altstaedt and Marianne Crebassa.
From 2005 to 2010, he was artist in residence at the Dortmund Konzerthaus; during the 2010/11 sea-son he held the same position at the Berlin Konzerthaus. Fazıl Say was also a focal point of the pro-gramme of the Schleswig-Holstein Musik Festival in the summer of 2011. There have been further residencies and Fazıl Say festivals in Paris, Tokyo, Meran, Hamburg, and Istanbul. During the 2012/13 season Fazıl Say was the artist in residence at the Hessischer Rundfunk in Frankfurt am Main and at the Rheingau Musik Festival 2013, where he was honoured with the Rheingau Musik Preis. In April 2015 Fazıl Say gave a successful concert with Orpheus Chamber Orchestra at Carnegie Hall, New York, that was followed by a tour with concerts all over Europe. In 2014 he was the artist in residence at the Bodenseefestival, where he played 14 concerts. During their 2015/2016 season the Alte Oper Frankfurt and the Zürcher Kammerorchester invited him to be their artist in residence and he is cur-rently spending three seasons as the Artist in Residence at the Festival der Nationen in Bad Wörisho-fen.
In December 2016, Fazıl Say was awarded the International Beethoven Prize for Human Rights, Peace, Freedom, Poverty Reduction and Inclusion, in Bonn. In the autumn of 2017, he was awarded the Music Prize of the city of Duisburg.
His recordings of works by Bach, Mozart, Beethoven, Gershwin and Stravinsky have been highly praised by critics and won several prizes, including three ECHO Klassik Awards. In 2014, his recording of Beethoven’s piano concerto No. 3 (with hr-Sinfonieorchester / Gianandrea Noseda) and Beetho-ven’s sonatas op. 111 and op. 27/2 Moonlight was released, as well as the CD ‘Say plays Say’, featur-ing his compositions for piano. Since 2016 Fazıl Say is an exclusive Warner Classics artist. In the au-tumn of 2016, his recording of all of Mozart sonatas was released on that label, for which, in 2017, Fazıl Say received his fourth ECHO KLASSIK award. Together with Nicolas Altstaedt, he recorded the album "4 Cities" (2017). In autumn 2017 Warner Classics will release Nocturnes by Frédéric Chopin and the album "Secrets", featuring French songs, which he recorded together with Marianne Crebassa.