„He offered a breathtaking cadenza, performing acrobatic feats in the instrument’s highest range.“The New York Times
“Afterward, there was a surprised buzz in the auditorium as listeners confessed to loving a sometimes furiously dissonant piece” [NY Philharmonic/Alan Gilbert/Carnegie Hall/Magnus Lindberg concerto]. As reported in the New Yorker it is not an uncommon occurrence for this consumate artist to bring his audience to its feet, even if the repertoire, or Kriikku himself, is being heard for the first time.
A champion of contemporary music for the 2016/17 season Kari Kriikku has looked to the more intimate sized ensembles for new additions to his repertoire. For the 2016 with Quattour Diotima they will perform a new chamber work of Kaija Saariaho’s, “Figura”, which will be further premiered at the 2017 Présence Festival, Paris. He brings Michel van der Aa’s “Hysterisis”, to Tapiola Sinfonietta. This work for small ensemble and electronics Kriikku himself co-commissioned giving the Finnish and Dutch premieres with Lapland Chamber Orchestra and John Storgårds and returning to Amsterdam’s Concertgebouw Hall with the Amsterdam Sinfonietta, later recording the work. As a member of the Toimii! Ensemble he will perform Magnus Lindberg’s “Kraft” in Luxembourg.
Highlights in 2016/17 season also include his third return to the New York Philharmonic performing Kaija Saariaho’s D’OM LE VRAI SENS with Esa-Pekka Salonen, performances with RTE Orchestra Dublin/Sachio Fujioka, Swedish Radio Symphony with Susanna Mälki, Iceland Symphony/Anna-Maria Helsing and Lahti Symphony Orchestra with Dima Slobodeniouk.
Highlights of other new works Kriikku has premiered include Unsuk Chin’s clarinet concerto (2014) with Gothenberg Orchestra and Kent Nagano. Performances continued with New York Philharmonic and Alan Gilbert for the US premiere, WDR Cologne Orchestra, the Orquesta Sinfonica de Barcelona and London’s Philharmonia Orchestra with Nicholas Collon. He has performed it under the baton of Ilan Volkov both with Glasgow’s BBC Scottish Symphony Orchestra and Malmö Orchestra, with Finnish Radio Symphony and Jukka-Pekka Saraste, and in Amsterdam’s Concertgebouw with Netherlands Radio Philharmonic under the baton of Xian Zhang.
Kaija Saariaho’s “D’OM LE VRAI SENS”, received its’ premiere performance with Finnish Radio Symphony and Sakari Oramo, Kimmo Hakola’s colourful, concerto under the baton of Semyon Bychkov (WDR Koln and La Scala, Milan), and Magnus Lindberg’s concerto with a spectacular premiere at London’s 2007 BBC Proms Festival with the BBC Symphony and Bychkov. Kriikku has recorded all these works for Ondine including Jukka Tiensuu’s “Missa” with the Helsinki Philharmonic and John Storgårds. Lindberg’s Clarinet Concerto recording was nominated in the 2006 Gramophone Awards and the new Saariaho work with Finnish Radio Symphony and Sakari Oramo won the Jury’s Award at the BBC Music Magazine Awards 2013.
Kari Kriikku’s musical inventiveness and fresh attitude towards traditional performances not only as a soloist, commissioner but also as Artistic Director of Avanti! Chamber Orchestra, have been further recognized when in 2009, Kari Kriikku was announced recipient of the prestigious Nordic Council Music Prize.
““D’om le Vrai Sens” (2010), the next work, a substantial concerto for clarinet and orchestra, was written for her Finnish compatriot Kari Kriikku, a brilliant clarinetist, who performed it here commandingly […] In certain episodes, he sounded like an avant-garde jazz clarinetist, all reedy lines, rude bleats and banshee shrieks”New York Times, Anthony Tommasini, 14.10.16
“Kriikku has been electrifying every time I’ve seen him perform”The New Yorker, Alex Ross, 31.10.16
“Unsuk Chin’s Clarinet Concerto provides a glistening showcase for clarinettist Kari Kriikku’s perfectly tuned multiphonics and transcendental technique.”The Guardian, Andrew Clements, 23.10.15
“It was partly the hugely charismatic soloist in clarinettist Kari Kriikku […] who performed the piece with vigour and enormous wit, prancing around the orchestra to duet with different players and delivering the hugely virtuosic clarinet line as if it were a jazz solo”The Scotsman, David Kettle, 09.03.15
“Kriikku demonstrated extraordinary virtuosity and flexibility […] This was a stupendous performance of a thoroughly engaging and creative work”Classical Source, Lewis M. Smoley, 09.2014
“The virtuosity behind Kriikku’s playing dazzles”Bachtrack, Mark Pullinger, 24.09.14
“He gurgled like hot mud, trilled like a skylark, sank to his knees, wove through the band and played from the circle seats. Finally, he turned ethereal pied piper, with violinists following and repeated notes from a celesta twinkling like the stars. Peter Sellars, no less, designed the staging.”The Times, Geoff Brown, 24.10.10
“The composer has also been inspired by the soloist, an iconic virtuoso of new music, a magician of the clarinet, the unicorn, Kari Kriikku.”Helsingin Sanomat, Jukka Isopuro, 10.09.10
“Making his debut with the Philharmonic on Saturday, Mr. Kriikku played with a glowing tone and sensual spontaneity in the rhapsodic interludes. He offered a breathtaking cadenza, performing acrobatic feats in the instrument’s highest range.”The New York Times, Vivien Schweitzer, 14.02.10
“It is hard to imagine Kriikku giving a more gripping performance than this one. Kriikku's technique is phenomenal, and Lindberg exploits it to the full, pushing the music well beyond familiar clarinet territory – the ear is constantly besieged by new sounds and chords. All this is pointed up by Kriikku's witty, dynamic and expressive delivery; he positively dances as he plays.”The Guardian, Rian Evans, 26.11.09
“The staggering virtuosity of Finnish clarinettist Kari Kriikku has made contemporary composers rush to write for him.”The Observer, Nicholas Kenyon, 5.07.09
Last week the clarinetist Kari Kriikku performed Saariaho’s D’om le Vrai Sens with the New York... read more