„ [...] the model of a conductor in 2014.“I Care If You Listen Magazine
From producing records in Africa to curating innovative concert series in Melbourne, Copenhagen, Berlin and Helsinki - where he is the newly announced Artistic Director of the Musica nova Helsinki festival - while commissioning genre-defying contemporary projects with his musicians’ collective s t a r g a z e, André de Ridder embodies a unique position amongst today’s conductors. He is sought after for his ability to communicate musical statements both on and off the podium. He has formed close artistic relationships with a diverse range of artists such as Kaija Saariaho, Uri Caine, Bryce Dessner, Michel van der Aa, Damon Albarn and bands such as Mouse on Mars, and performs regularly at international festivals, including BBC Proms, Holland Festival and Sydney Festival.
In 2014/15, de Ridder curated three programmes with Melbourne Symphony for their ‘Metropolis’ festival, returned to Chicago Symphony and made his debut with Orchestre de Paris. 2015/16 began with appearances at Edinburgh International Festival, in concert and conducting world premiere performances of Donnacha Dehenny’s opera ‘The Last Hotel’. De Ridder furthermore made his debut in this season with New York Philharmonic on their ‘Contact’ series and will appear in June for the first time with Het Koninklijk Concertgebouw Orkest Amsterdam.
In spring 2015, de Ridder gave performances of Saariaho’s ‘Emilie’ at Finnish National Opera and will this season conducts the world premiere of Saariaho’s ‘Only the Sound Remains’ at Netherlands Opera, directed by Peter Sellars. Previous world premieres have included Gerald Barry’s ‘The Bitter Tears of Petra von Kant’ and Michel van der Aa’s ‘The Sunken Garden’, both for English National Opera. He undertook a large-scale Monteverdi trilogy project with director Barrie Kosky at the Komische Oper 2012-2015. Future plans include his return to Finnish National Opera and his debut at Opéra National de Paris.
In 2013, de Ridder founded ‘s t a r g a z e’, a think-tank pool of like-minded European musicians. Operating from Berlin, they quickly found a home at the legendary Volksbühne theatre, where they put on their own 3-day festival, 's t a r g a z e presents', performing with artists like Terry Riley, Tyondai Braxton, Nils Frahm, Pantha du Prince and Pekka Kuusisto. They appear regularly at the Barbican Centre and at Ruhrtriennale with Owen Pallett, Sacrum Profanum Festival in Krakow with These New Puritans. In December 2015, they unveiled ‘s t a r g a z e orchestral', again at Volksbühne-Am-Rosa-Luxemburg-Platz. In July 2016, s t a r g a z e will appear at the BBC Proms, in a programme that ‘reinterprets’ the work of David Bowie.
De Ridder's discography includes Max Richter's The Four Seasons Recomposed (DG) and an album of orchestral music by Bryce Dessner and Jonny Greenwood (DG). The Max Richter recording was awarded an ECHO Klassik ‘Classic Without Borders’ award 2013. In November 2014 de Ridder earned his first credit as 'producer', with the release of "Africa Express Presents: In C Mali", on Transgressive Records. This followed a trip to Bamako, Mali, with Damon Albarn and his Africa Express project. In Mali, de Ridder initiated and led a recording of Riley's ‘In C’ with local musicians, joined by travelling western artists including Brian Eno and Albarn.
André de Ridder was educated in Berlin and subsequently studied at the Music Academies of Vienna and London, under Leopold Hager and Sir Colin Davis.
“On the podium, de Ridder was the conductor with “the score in his head, not his head in the score,” as the saying goes. His understanding of, and passion for, the Bartók was as clear as his easy partnership with the soloist. De Ridder’s resume is unusual, including pop and opera as well as classical credits from around the world (Europe, Asia, the Americas, and Australia).”The Seattle Times, Melinda Bargreen, 14.03.14
“[...] one of the world's most daring conductors [...].”The Wall Street Journal, Peter Tinti, 23.10.13
“André de Ridder, conducting with a click track and using a score that incorporated images from the films, held all of the elements together with impressive precision.”The New York Times, Steve Smith, 16.04.13
“De Ridder really came into his own in Brahms’s swansong symphony, the Fourth. He is an unfussy conductor, measured yet expressive, and showed a real grasp and feel for the scale of the work across the four movements. The orchestra responded splendidly, with notable solo contributions, especially from the horns. The way in which he managed the changes of emphasis in the final movement, with its Bach-inspired variations in the form of a passacaglia with its Baroque structure, showed real mastery. […] The versatile de Ridder is one to watch.”The Arts Desk, Philip Radcliffe, 21.01.13
“Owen Pallett’s ‘Violin Concerto’, which followed, inhabited a strikingly similar place, with textures to which the Britten Sinfonia, under Andre de Ridder’s crisp direction, brought a lovely translucence.”The Independent, Michael Church, 19.03.12
“The performance, with nine solo singers led by Roderick Williams as the Wandering Jew, a quartet of actors and the BBC Singers and Symphony Orchestra under André de Ridder, is first rate; it's a major undertaking that has been realised with great care.”The Guardian, Andrew Clements, 16.06.11
“Anna Clyne's ambitious Rewind, played by the BBC Symphony Orchestra and conducted by an indefatigable André de Ridder, stays in the memory despite so much competition.”The Observer, Fiona Maddocks, 15.05.11
“But my own favourite was Michael Gordon’s Rewriting Beethoven’s Seventh Symphony, with the BBC Symphony Orchestra and the conductor André de Ridder smearing a path between recognisable fragments of the masterwork. It was instructive, impish and enjoyable.”The Times, Geoff Brown, 9.05.11
“The BBC Symphony Orchestra under guest conductor André de Ridder, captured the work's beatific detachment to perfection.”theartsdesk.com, 9.05.11
André de Ridder will conduct the world premiere of Kaija Saariaho’s ‘Only the Sound Remains’ at the... read more
Alejandro Gonzalez Iñárritu's film 'The Revenant', featuring music conducted by André de Ridder, won... read more
André de Ridder makes his New York Philharmonic debut conducting the U.S. premiere of Richard Reed... read more
André de Ridder will conduct the London premiere of composer Donnacha Dennehy's and playwright Enda... read more
André de Ridder is today announced as the new Artistic Director of Musica nova Helsinki, the... read more
André de Ridder will make his debut with the Melbourne Symphony Orchestra, with three separate... read more
On 2nd April, André de Ridder conducts a Finnish premiere in Helsinki. The opera ‘Sublime Émilie’,... read more
Today André de Ridder will conduct a one–off private performance of the African version of Terry... read more